Lenora de Barros

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Homenagem a George Segal (Homage to George Segal), 1984, Videoperformance, 1'4"

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COISA EM SI (The Thing Itself), 1990/2020, inkjet on cotton paper, mounted on dibond, 46 x 68,73 cm

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COISA EM SI II (The Thing Itself II), 2001/2020, inkjet on cotton paper, mounted on dibond, 54,88 x 40,39 cm

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COISA EM SI III (The Thing Itself III), 2001/2020, inkjet on cotton paper, mounted on dibond, 54,88 x 40,36 cm

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Poema (Poem), 1979/2014, Black-and-white fine art print on Hahnemühle photo rag, each 22,2 x 29,8 cm

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Calaboca (Shut Up), 2006, Videoperformance, 52"

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Estudo para Facadas (Study for Stabs), 2012, video, 1,32"

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NO PAÍS DA LÍNGUA GRANDE, DAI CARNE A QUEM QUER CARNE (IN THE COUNTRY OF THE BIG TONGUE, GIVE MEAT TO THOSE WHO WANT MEAT), 1998/2006, Inkjet print on cotton paper, 107 x 85,8 cm

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Move n.1. 2019, 3 half ping pong rackets with rubber coating, 7 metal ping-pong net mounts, 3 ping pong balls printed in tampography, 130 x 170 cm

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Move n.1, 2019, detail

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Suprematist Factory 2, 2000, half ping pong racket with rubber coating, 2 metal ping pong net mounts, 1 white ping pong ball mounted on wood bars on wall, 57,15 x 24,13 x 6,99 cm

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Lilia's Eyes, 2000, print on newspaper paper, mounted on MDF, 87 x 63,5 cm

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exhibition view: Lenora de Barros, Umas e Outras, Pivô, São Paulo, 2014, © Everton Ballardin

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exhibition view: Lenora de Barros, Umas e Outras, Pivô, São Paulo, 2014, © Everton Ballardin

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Fogo No Olho, 1994, Inkjet print on cotton paper, 63,09 x 94,98 cm

Lenora de Barros

The artist from São Paulo uses a variety of resources in the construction of her works, producing photographs, videos, sculptures and installations. Besides being a visual artist, she also is a poet and is influenced by concretism both in poetry and in her other works. Her work is in private and public collections, such as the Museu d’Art Contemporani in Barcelona, Spain, Daros Latinamerica Collection, Switzerland, Museum of Modern Art in São Paulo and Rio de Janeiro.