David Maljkovic

1

Poster for Secession, 2011
inkjet print by David Maljković and Toni Uroda
84,1 x 118,9 cm, Ed. 30

2

Poster for Secession, 2011
inkjet print by David Maljković and Toni Uroda
84,1 x 118,9 cm, Ed. 30

3

Poster for Secession, 2011
inkjet print by David Maljković and Toni Uroda
84,1 x 118,9 cm, Ed. 30

4

Temporary Projections Cycle, 2011
inkjet print, collage, oil on canvas
100 x 150 cm, unique

5

Temporary Projections Cycle, 2011
9 paintings in oil and chalk on canvas behind umbrella
dimension variable (260 x 220 x 160 cm)

6

Temporary Projections Cycle, 2011
9 paintings in oil and chalk on canvas behind umbrella
dimension variable (260 x 220 x 160 cm)

7

Temporary Projections Cycle, 2011
projector, 6 paintings in oil on canvas, each 1,1 x 1,1 cm
dimension variable (187 x 30 x 190 cm)

8

Temporary Projections Cycle, 2011
projector, 6 paintings in oil on canvas, each 1,1 x 1,1 cm
dimension variable (187 x 30 x 190 cm)

9

Parallel Compositions, 2008
Paper and ink on paper
45 x 65 cm

10

Lost Pavilion, 2008,
Paper and pencil on paper
19,7 x 25,6 inches

11

After the Fair, 2008
Mixed media on paper
100 x 140 cm

12

After the Fair, 2008
Pencil on paper
65 x 45 cm

13

After the Fair, 2008
Pencil on paper
65 x 45 cm

14

Lost Pavilion, 2009
Acrylstal, speaker, cd player, pedastals and seven collages on paper
22 x 53 x 53 inches

15

After the Fair, 2009
Lamda print
22,5 x 30 cm

16

After the Fair, 2009
Lamda print
22,5 x 30 cm

17

Lost Pavilion, 2008
Collage on paper
13 x 18,75 inch

18

Lost Pavilion, 2008
Collage on paper
13 x 18,75 inch

David Maljkovic

In his installations, videos, and collages, David Maljković (born in 1973) is concerned with aspects of the eventful history of his country. The far-reaching consequences of the transformation from a communist to a capitalist social form and the linked economic and cultural impacts form the subtext of his artistic production. His works often show abandoned buildings and monuments of the 1960s and 1970s, which impressively reflect the promise of a better future, while at the same time evoke failure due to their currently ruinous state, adding a melancholy touch. In taking this step, the artist consciously uses examples where the ideas of a universal, modernistic progress are linked to a specific understanding of socialism as a potentially radical, experimentally modernistic concept. The combination makes clear the exemplary outlines of his approach, which equally counts the inclusion of research, as well as the interweaving of past, future, and present.

David Maljković has participated in numerous international exhibitions. For example, he has presented individual exhibitions at Van Abbemuseum in Eindhoven (2005), London’s Whitechapel Art Gallery (2007),  Kunstverein Hamburg (2007), Museum of Modern Art in Ljubljana (2010) and took part in group exhibitions held at Artists Space New York (2007), Berlin Biennale (2008), and Mucsarnok - Kunsthalle Budapest (2008), 11th Istanbul Biennal (2009), Centre Pompidou, Musée National d´Art Moderne, Paris (2010). By the end of 2011 a solo show will be on display at Secession, Vienna (Dezember 2, 2011 – Februar 2012).